amused to death
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1 the ballad of bill hubbard
2 what god wants part 1
3 perfect sense part 1
4 perfect sense part 2
5 the bravery of being out of range
6 late home tonight part 1
7 late home tonight part 2
8 too much rope
9 what god wants part 2
10 what god wants part 3
11 watching tv
12 three wishes
13 its a miracle
14 amused to death -
albumun 9:07 dakikalik kapanis sarkisi.
// switch tv channel //
man: consider it a bargin at even 6 or 7 or even 8 hundred dollars... hi! you're live on the show! hi!
woman: denise from delaware
man:how are you?
woman: first time i've even been this.. uh, spoke to you.
man:why, it's my pleasure!
woman:---son, bought that thing for me, and you were supposed to give it to me on mother's day.
man:uh-huh
woman:but you didn't.
man:(?) tell me (?)
woman:ah, maybe about 7 or 8 hundred dollars
man:seven or eight! a congratulation! ok!
woman: bye-bye
man: bye-bye
we own this at four hundred dollars
you gotta be kidding me!
seven, eight, nine hundred dollars!
tell ya what
while it was seventy-five, eighty maybe
cut the price
cut it and give it away
to end the day
to end the day out there...(?)
it's incredible (?)
not even worth selling (?) seventy-seven (?)
doctor doctor what is wrong with me
this supermarket life is getting long
what is the heart life of a colour tv
what is the shelf life of a teenage queen
ooh western woman
ooh western girl
ooh western woman
ooh western girl
news hound sniffs the air
when jessica hahn goes down
// heh //
// ha ha ha //
he latches on to that symbol
of detachment
attracted by the peeling away of feeling
the celebrity of the abused shell the belle
ooh western woman
ooh western girl
and the children on melrose
strut their stuff
woman:(?)...she had a bodyguard to guard her pearls...(?)
is absolute zero cold enough
and out in the valley warm and clean
the little ones sit by their tv screen
no thoughts to think
no tears to cry
all sucked dry
down to the very last breath
woman: (?) glamorous (?)
bartender what is wrong with me
why am i so out of breath
the captain said excuse me ma'am
this species has amused itself to death
amused itself to death
it has amused itself to death
amused itself to death
we watched the tragedy unfold
we did as we were told
we bought and sold
it was the greatest show on earth
but then it was over
we oohed and aahed
we drove our racing cars
we ate our last few jars of caviar
and somewhere out there in the stars
a keen-eyed lookout
spied a flickering light
our last hurrah
our last hurrah
and when they found our shadows
grouped around the tv sets
they ran down every lead
they repeated every test
they checked out all the data on their lists
and then the alien anthropologists
admitted they were still perplexed
but on eliminating every other reason
for our sad demise
they logged the only explanation left
this species has amused itself to death
no tears to cry
no feelings left
this species has amused itself to death
amused itself to death
amused itself to death
alf razzell: years later, i saw bill hubbard's
name on the memorial to the missing at arras.
amused itself to death
alf razzell: and i... when i saw his name, i was absolutely transfixed.
it was as though he was now a human being instead of some sort of
nightmarish memory that i'd had of leaving him all those years ago.
amused itself to death
alf razzell: and i felt relieved. and ever since then i've felt... happy about it, because always before, whenever i thought of him, i was searching myself; "was there something else that i could have done?"
amused itself to death
alf razzell: put me down. put me down. i'd rather die. i'd rather die. put me down
alf razzell: and that always sort of worried me. but having seen him, and his name in the register; as you know in the memorials there's a little safe, and there's a register in there with every.. every name... and seeing his name and his name on the memorial.. it sort of lightened.. lightened my heart, if you like.
woman interviewer: when was it that you saw his name on the memorial
alf razzell: ah, when i was eighty-seven... ah, that would be a year, ninety f... eighty-four, nineteen eighty-four.
// switch tv off //
// crickets fade out // -
roger waters ın bu şarkıyı eski grup arkadaşlarına itafen yaptığı söylenir.
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hakkaten bir temasi olan, bu tema etrafinda eglenmeyi de, goz yasi dokmeyi de bilen (ornek watching tv adli parca olabilir: 'shed a tear for my yellow rose') bir dalganip bir durulan, en azindan bir kere bastan sona dinlenmeyi hakeden guzel ve hazin bir albumdur. dinlerken sarki sozlerinin de bir yandan takip edilmesi albumun temasini kavramakta ise yarayabilir.
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özel bir efekt/tını/mix elde etmek için, yer yer, bazı kanalların fazlarıyla oynadıklarından şiddetle şüphelendiğim albüm. özellikle köpek havlamaları, sağa/sola yatırılmış konuşma efektleri, korolar gibi kanallarda dikkati çekiyor.
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yana done tekrar dinlenir. melodileri insanin kulagina kazinir. muzik tarihinin ciddi kazanclarindan ne ki hakki yenmis bir albumdur. tekrarlamakta sakinca yok: her eve lazim...
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albumdeki cogu sarkinin arkasinda ya da onundeki cenci kadın seslerinin de hak ettikleri ilgiyi görmedigini düşünüyorum. roger waters'ın her ne kadar yetersiz ama pek karizmatik bir sesi olsa da, kadın sesi başka bir şey işte, hele de cenci gırtlaklısı. onları secmesinden ötürü waters'ı bir kez daha teprik ediyoruz...
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jeff beck'ten don henley'ye muhtesem bir kadrosu olan album.
quadrophonic ses duzenine gore kaydedilmistir. quadro bir muzik sisteminiz yoksa albumu %100 dinleyemezsiniz. -
roger waters'ın pink floyd dan ayrılmasının akabinde 1992 de çıkarttığı albüm.
<bence>
bu albüm roger waters'ın tarzını tamamen muhafaza etmekle beraber, pink floyd'un roger'sız zamanlarında ürettiği albümlerden müzikalite, atmosfer, ruh ve konsept olarak çok daha öndedir. roger waters'ın pink floyd için ne kadar önemli olduğunu buradan görüyoruz.
ancak şöyle birşey de var ki bu albüm asla bir dark side of the moon, bir animals, bir atom hearth mother hatta syd li zamanlardan bir the piper at the gates of dawn olamaz. bu da waters'ın da gilmour'suz , wright'sız ve mason'sız (ve barret, tabii ki) eksik olduğunu ifade eder.
</bence>
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